The Needle and the Damage Done
Neil Young
G major105.9 bpm4/42:03★★★★★ 10 chords · some 7ths/extensions
106 bpm4/bar
C4
D5
E6
F♭7
7
G1
♭2
A2
♭3
B3
C4
D5
E6
F♭7
7
G1
♭2
A2
♭3
B3
1 · fundamental2nd3rd4th5th6th7thoutside the key
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6♭771♭22♭33456
3456♭771♭22♭33
1♭22♭33456♭771
56♭771♭22♭3345
2♭33456♭771♭22
6♭771♭22♭33456
1 · fundamental2nd3rd4th5th6th7thoutside the key
E A D G B E · first 12 frets
In scale order from the tonic — press one, or
- Mixolydian colourthe ♭VII chord (F) — major, but with the bluesy flat 7th
- Blues colourthe ♭3 (A#) rubbing against the major third — the blue note
To solo over it: G major pentatonic fits everywhere. Open in the workbench →
Same seven notes as the key — each mode just treats a different one as home. The mode on a degree is the scale that fits the chord on that degree.
- IG Ionianplain major — the referencethis song
- iiA Dorian♮6minor, but hopeful — the raised 6th
- iiiB Phrygian♭2minor with a dark, Spanish ♭2
- IVC Lydian♯4major, floating — the dreamy ♯4
- VD Mixolydian♭7major, bluesy — the flat 7th
- viE Aeoliannatural minor — the sad one
- vii°F♯ Locrian♭5unstable — rarely a home
In scale order from the tonic — press one, or
- ♭2Phrygian colour — a semitone above the tonic, usually a ♭II chord or a chromatic approach.
- ♭3Borrowed ♭3 — the blues third, or a moment of parallel minor.
- ♭7Mixolydian ♭7 — the dominant/blues seventh, very common in rock and funk.
Measured against G major — everything else played fits the scale.
Transpose0
Press a chord to hear it.
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In G major: · · · · · · · · · · · · · · · · · · · · · · · · · · · · ·
A9 barsin G major
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B16 barsin G major
×2
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C27 barsPerfect authentic cadencein G major
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D4 barsin G major
- Performed key
- G major
- Concert key
- G major
- Version
- Studio
Key single-sourceMeter single-sourceChords single-source
- Sources
- spotify · musicbrainz · acousticbrainz
- Method
- Transcription
- ISRC
- USRE12200591
- MusicBrainz
- bd045f9d-573c-4ff4-8091-9a26b387c25e