Sad Hill
Kheops, IAM
Eb minor93 bpm4/45:17
93 bpm4/bar
C
7
D♯7
1
E♭2
F2
3
G
4
A♭5
5
B
C
7
D♯7
1
E♭2
F2
3
G
4
A♭5
5
B
1 · fundamental2nd3rd4th5th7thoutside the key
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♭2234♭557♯71♭2
7♯71♭2234♭55
4♭557♯71♭223
♯71♭2234♭557♯7
♭557♯71♭2234♭5
♭2234♭557♯71♭2
1 · fundamental2nd3rd4th5th7thoutside the key
E A D G B E · first 12 frets
In scale order from the tonic — press one, or
- Harmonic minorthe raised 7th (D) appears, pulling to the tonic
- Phrygian shadethe ♭2 (E) — the dark, Spanish half-step over the tonic
To solo over it: Eb minor pentatonic fits everywhere. Open in the workbench →
Same seven notes as the key — each mode just treats a different one as home. The mode on a degree is the scale that fits the chord on that degree.
- IG♭ Ionianplain major — the reference
- iiA♭ Dorian♮6minor, but hopeful — the raised 6th
- iiiB♭ Phrygian♭2minor with a dark, Spanish ♭2
- IVB Lydian♯4major, floating — the dreamy ♯4
- VD♭ Mixolydian♭7major, bluesy — the flat 7th
- viE♭ Aeoliannatural minor — the sad onethis song
- vii°F Locrian♭5unstable — rarely a home
In scale order from the tonic — press one, or
- ♭2Phrygian ♭2 — the sound of Spanish and Middle-Eastern minor.
- ♭5♭5 — the blues flat five, or a diminished/half-diminished chord.
- ♯7Raised 7th — harmonic minor's leading note, pulling to the tonic.
Measured against Eb minor — everything else played fits the scale.
- Version
- Studio
Meter single-source
- Sources
- spotify · deezer · musicbrainz · acousticbrainz
- ISRC
- FRY689701310
- MusicBrainz
- f2c4863d-4203-413f-bc26-676ed639539f