Come Out and Play
The Offspring
B minor159.5 bpm4/43:18★★★★★ 15 chords — a lot to hold · plain triads
160 bpm4/bar
C♭2
2
D3
♯3
E4
F♭5
5
G6
♯6
A7
♯7
B1
C♭2
2
D3
♯3
E4
F♭5
5
G6
♯6
A7
♯7
B1
1 · fundamental2nd3rd4th5th6th7thoutside the key
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4♭556♯67♯71♭223♯34
1♭223♯34♭556♯67♯71
6♯67♯71♭223♯34♭556
3♯34♭556♯67♯71♭223
7♯71♭223♯34♭556♯67
4♭556♯67♯71♭223♯34
1 · fundamental2nd3rd4th5th6th7thoutside the key
E A D G B E · first 12 frets
In scale order from the tonic — press one, or
- Melodic minor riseboth the ♮6 (G#) and the raised 7th (A#) appear — the smoothed climb home
- Phrygian shadethe ♭2 (C) — the dark, Spanish half-step over the tonic
To solo over it: B minor pentatonic fits everywhere. Open in the workbench →
Same seven notes as the key — each mode just treats a different one as home. The mode on a degree is the scale that fits the chord on that degree.
- ID Ionianplain major — the reference
- iiE Dorian♮6minor, but hopeful — the raised 6th
- iiiF♯ Phrygian♭2minor with a dark, Spanish ♭2
- IVG Lydian♯4major, floating — the dreamy ♯4
- VA Mixolydian♭7major, bluesy — the flat 7th
- viB Aeoliannatural minor — the sad onethis song
- vii°C♯ Locrian♭5unstable — rarely a home
In scale order from the tonic — press one, or
- ♭2Phrygian ♭2 — the sound of Spanish and Middle-Eastern minor.
- ♯3Raised 3rd — a Picardy third or a major-key borrowing over the minor.
- ♭5♭5 — the blues flat five, or a diminished/half-diminished chord.
- ♯6Dorian 6 — brightens the minor, the difference between Dorian and Aeolian.
- ♯7Raised 7th — harmonic minor's leading note, pulling to the tonic.
Measured against B minor — everything else played fits the scale.
Transpose0
Press a chord to hear it.
– ×3 + + ––– ×2 + ––– ×2 + –– + – ×2 + –– + – ×3 + ––––––– + – ×2 + – ×2 + – + – ×3 + ––––––––––– + – ×2 + ––––
In B minor: · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · ·
A8 barsin B minor
B1 barsin B minor
C6 barsin B minor
×2 +
– ×2 +
D10 barsHalf cadencein B minor
–––––
E4 barsin B minor
F3 barsPerfect authentic cadencein B minor
–
G4 barsPerfect authentic cadencein B minor
×2
––– ×2
H18 barsHalf cadencein B minor
+ ×2 +
–– + – ×2 + –––
I4 barsin B minor
J8 barsPerfect authentic cadencein B minor
×2
– ×2
K2 barsin B minor
––
I4 barsin B minor
L11 barsin B minor
–––– + – ×2 + ––
I6 barsin B minor
M5 barsHalf cadencein B minor
–––
I6 barsin B minor
N4 barsPerfect authentic cadencein B minor
×2
– ×2
O9 barsPerfect authentic cadencein B minor
–––––––––––
P6 barsin B minor
––
Q9 barsPerfect authentic cadencein B minor
–––––
- Performed key
- B minor
- Concert key
- B minor
- Version
- Studio
Key cross-validatedBPM cross-validatedMeter single-sourceChords single-source
- Sources
- spotify · deezer · musicbrainz · acousticbrainz · getsongbpm
- Method
- Metadata · Audio analysis · Cross-source consensus · Transcription
- ISRC
- USEP40312207
- MusicBrainz
- ae4f2554-4b8c-4089-8b6a-eccdbff91928