Petit frère
IAM
Bb minor88 bpm4/44:46
88 bpm4/bar
C2
D
E♭5
F5
6
G♯6
7
A♯7
1
B♭2
C2
D
E♭5
F5
6
G♯6
7
A♯7
1
B♭2
1 · fundamental2nd5th6th7thoutside the key
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♭556♯67♯71♭22♭5
♭22♭556♯67♯71♭2
♯67♯71♭22♭556♯6
♭556♯67♯71♭22
♯71♭22♭556♯67♯7
♭556♯67♯71♭22♭5
1 · fundamental2nd5th6th7thoutside the key
E A D G B E · first 12 frets
In scale order from the tonic — press one, or
- Melodic minor riseboth the ♮6 (G) and the raised 7th (A) appear — the smoothed climb home
- Phrygian shadethe ♭2 (B) — the dark, Spanish half-step over the tonic
To solo over it: Bb minor pentatonic fits everywhere. Open in the workbench →
Same seven notes as the key — each mode just treats a different one as home. The mode on a degree is the scale that fits the chord on that degree.
- ID♭ Ionianplain major — the reference
- iiE♭ Dorian♮6minor, but hopeful — the raised 6th
- iiiF Phrygian♭2minor with a dark, Spanish ♭2
- IVG♭ Lydian♯4major, floating — the dreamy ♯4
- VA♭ Mixolydian♭7major, bluesy — the flat 7th
- viB♭ Aeoliannatural minor — the sad onethis song
- vii°C Locrian♭5unstable — rarely a home
In scale order from the tonic — press one, or
- ♭2Phrygian ♭2 — the sound of Spanish and Middle-Eastern minor.
- ♭5♭5 — the blues flat five, or a diminished/half-diminished chord.
- ♯6Dorian 6 — brightens the minor, the difference between Dorian and Aeolian.
- ♯7Raised 7th — harmonic minor's leading note, pulling to the tonic.
Measured against Bb minor — everything else played fits the scale.
- Version
- Studio
Meter single-source
- Sources
- spotify · deezer · musicbrainz · acousticbrainz
- ISRC
- FRY689700510
- MusicBrainz
- 03dde3c2-1932-4d00-b7d8-53c9f49370e4