Jeune et con
Saez
E A D G B E · first 12 frets
In scale order from the tonic — press one, or
- Lydian colourthe ♯4 (C#) appears — the floating, dreamy note
- Mixolydian colourthe ♭7 (F) appears — major, but bluesy
- Blues colourthe ♭3 (A#) rubbing against the major third — the blue note
To solo over it: G major pentatonic fits everywhere. Open in the workbench →
Same seven notes as the key — each mode just treats a different one as home. The mode on a degree is the scale that fits the chord on that degree.
- IG Ionianplain major — the referencethis song
- iiA Dorian♮6minor, but hopeful — the raised 6th
- iiiB Phrygian♭2minor with a dark, Spanish ♭2
- IVC Lydian♯4major, floating — the dreamy ♯4
- VD Mixolydian♭7major, bluesy — the flat 7th
- viE Aeoliannatural minor — the sad one
- vii°F♯ Locrian♭5unstable — rarely a home
In scale order from the tonic — press one, or
- ♭2Phrygian colour — a semitone above the tonic, usually a ♭II chord or a chromatic approach.
- ♭3Borrowed ♭3 — the blues third, or a moment of parallel minor.
- ♯4Lydian ♯4 — floating and bright, or the leading note of a secondary dominant.
- ♭7Mixolydian ♭7 — the dominant/blues seventh, very common in rock and funk.
Measured against G major — everything else played fits the scale.
Press a chord to hear it.
––– ×2 + ––– + –– ×2 + ––– ×9 + –– + ––– ×2 + ––– ×3 + + ––– ×3 + ––– + ––– ×4 + ––––––––––– + –– ×4 + + ––– ×5 + –––––
In G major: · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · ·
- Performed key
- G major
- Concert key
- G major
- Version
- Studio
- Sources
- spotify · deezer · musicbrainz · acousticbrainz · getsongbpm
- Method
- Metadata · Audio analysis · Transcription
- ISRC
- FRY039900230
- MusicBrainz
- 9c806686-c503-4cb3-bbea-0657ad271e35