Showdown
E A D G B E · first 12 frets
In scale order from the tonic — press one, or
- Melodic minor riseboth the ♮6 (A) and the raised 7th (B) appear — the smoothed climb home
- Phrygian shadethe ♭2 (Db) — the dark, Spanish half-step over the tonic
To solo over it: C minor pentatonic fits everywhere. Open in the workbench →
Same seven notes as the key — each mode just treats a different one as home. The mode on a degree is the scale that fits the chord on that degree.
- IE♭ Ionianplain major — the reference
- iiF Dorian♮6minor, but hopeful — the raised 6th
- iiiG Phrygian♭2minor with a dark, Spanish ♭2
- IVA♭ Lydian♯4major, floating — the dreamy ♯4
- VB♭ Mixolydian♭7major, bluesy — the flat 7th
- viC Aeoliannatural minor — the sad onethis song
- vii°D Locrian♭5unstable — rarely a home
In scale order from the tonic — press one, or
- ♭2Phrygian ♭2 — the sound of Spanish and Middle-Eastern minor.
- ♯3Raised 3rd — a Picardy third or a major-key borrowing over the minor.
- ♭5♭5 — the blues flat five, or a diminished/half-diminished chord.
- ♯6Dorian 6 — brightens the minor, the difference between Dorian and Aeolian.
- ♯7Raised 7th — harmonic minor's leading note, pulling to the tonic.
Chords carrying them: D♭ ← A/D♭, D♭5/A♭, Bsus2, G♭sus2 · E ← E5/B, A/D♭, Asus4, C · G♭ ← E♭m, Bsus2, G♭sus2, B5/G♭ · A ← Dm7/C, A/D♭, Asus4, D5/A… · B ← E5/B, G/D, G, G/B…
Measured against C minor — everything else played fits the scale.
Press a chord to hear it.
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In C minor: · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · ·
- Version
- Studio
- Sources
- spotify · acousticbrainz · bitmidi
- ISRC
- USSM19805098