Golden Lady
Stevie Wonder
E A D G B E · first 12 frets
In scale order from the tonic — press one, or
- Melodic minor riseboth the ♮6 (D) and the raised 7th (E) appear — the smoothed climb home
- Phrygian shadethe ♭2 (Gb) — the dark, Spanish half-step over the tonic
To solo over it: F minor pentatonic fits everywhere. Open in the workbench →
Same seven notes as the key — each mode just treats a different one as home. The mode on a degree is the scale that fits the chord on that degree.
- IA♭ Ionianplain major — the reference
- iiB♭ Dorian♮6minor, but hopeful — the raised 6th
- iiiC Phrygian♭2minor with a dark, Spanish ♭2
- IVD♭ Lydian♯4major, floating — the dreamy ♯4
- VE♭ Mixolydian♭7major, bluesy — the flat 7th
- viF Aeoliannatural minor — the sad onethis song
- vii°G Locrian♭5unstable — rarely a home
In scale order from the tonic — press one, or
- ♭2Phrygian ♭2 — the sound of Spanish and Middle-Eastern minor.
- ♯3Raised 3rd — a Picardy third or a major-key borrowing over the minor.
- ♭5♭5 — the blues flat five, or a diminished/half-diminished chord.
- ♯6Dorian 6 — brightens the minor, the difference between Dorian and Aeolian.
- ♯7Raised 7th — harmonic minor's leading note, pulling to the tonic.
Chords carrying them: D ← D, Bm7, E♭maj7, Gm7… · E ← A, Am7, G♭m7, Amaj7… · G♭ ← D, G♭, Bm7, A♭m7… · A ← A, D, Bm7, Am7… · B ← Bm7, A♭m7, B7, Gmaj7…
Measured against F minor — everything else played fits the scale.
Press a chord to hear it.
––––– + ––– ×2 + –––– ×2 + ––––––– + – ×2 + ––––––––––––––––––– + –– ×2 + –––––––––––––––––––––––––––––– + ––– ×2 + + –– ×2 + ––––––––––
In F minor: · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · ·
- Performed key
- F minor
- Concert key
- F minor
- Version
- Studio
- Sources
- spotify · deezer · musicbrainz · acousticbrainz · bitmidi
- Method
- Transcription
- ISRC
- USMO17384739
- MusicBrainz
- c43abbea-03c4-4b16-a1f0-5ea4120a85ad