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E A D G B E · first 12 frets

In scale order from the tonic — press one, or ▶ play the scale

• Lydian colourthe ♯4 (C) appears — the floating, dreamy note
• Mixolydian colourthe ♭7 (E) appears — major, but bluesy
• Blues colourthe ♭3 (A) rubbing against the major third — the blue note

To solo over it: Gb major pentatonic fits everywhere. Open in the workbench →

Same seven notes as the key — each mode just treats a different one as home. The mode on a degree is the scale that fits the chord on that degree.

• IG♭G♭ Ionianplain major — the referencethis song
• iiA♭mA♭ Dorian♮6minor, but hopeful — the raised 6th
• iiiB♭mB♭ Phrygian♭2minor with a dark, Spanish ♭2
• IVBB Lydian♯4major, floating — the dreamy ♯4
• VD♭D♭ Mixolydian♭7major, bluesy — the flat 7th
• viE♭mE♭ Aeoliannatural minor — the sad one
• vii°F°F Locrian♭5unstable — rarely a home

In scale order from the tonic — press one, or ▶ play the run

• G♭2Phrygian colour — a semitone above the tonic, usually a ♭II chord or a chromatic approach.
• A♭3Borrowed ♭3 — the blues third, or a moment of parallel minor.
• C♯4Lydian ♯4 — floating and bright, or the leading note of a secondary dominant.
• D♭6Borrowed ♭6 — the parallel minor leaning in; the classic wistful turn.
• E♭7Mixolydian ♭7 — the dominant/blues seventh, very common in rock and funk.

Measured against F# major — everything else played fits the scale.

Performed key

F♯ major

Concert key

F♯ major

Version

Studio

Sources

spotify · getsongbpm

Method

Metadata · Audio analysis

ISRC

FR0Z21000064

MusicBrainz

c69da700-a1bc-4db8-a9a6-c3c7328fc844