Between the Bars
Elliott Smith
G minor135.8 bpm3/42:21★★★★★ 9 chords · plain triads · 3/4
136 bpm3/bar
C4
♭5
D5
6
E♯6
F7
♯7
G1
A2
3
B
C4
♭5
D5
6
E♯6
F7
♯7
G1
A2
3
B
1 · fundamental2nd3rd4th5th6th7thoutside the key
123456789101112
♯67♯71234♭556♯6
4♭556♯67♯7123
1234♭556♯67♯71
56♯67♯71234♭55
234♭556♯67♯712
♯67♯71234♭556♯6
1 · fundamental2nd3rd4th5th6th7thoutside the key
E A D G B E · first 12 frets
In scale order from the tonic — press one, or
- Melodic minor riseboth the ♮6 (E) and the raised 7th (Gb) appear — the smoothed climb home
To solo over it: G minor pentatonic fits everywhere. Open in the workbench →
Same seven notes as the key — each mode just treats a different one as home. The mode on a degree is the scale that fits the chord on that degree.
- IB♭ Ionianplain major — the reference
- iiC Dorian♮6minor, but hopeful — the raised 6th
- iiiD Phrygian♭2minor with a dark, Spanish ♭2
- IVE♭ Lydian♯4major, floating — the dreamy ♯4
- VF Mixolydian♭7major, bluesy — the flat 7th
- viG Aeoliannatural minor — the sad onethis song
- vii°A Locrian♭5unstable — rarely a home
In scale order from the tonic — press one, or
- ♭5♭5 — the blues flat five, or a diminished/half-diminished chord.
- ♯6Dorian 6 — brightens the minor, the difference between Dorian and Aeolian.
- ♯7Raised 7th — harmonic minor's leading note, pulling to the tonic.
Measured against G minor — everything else played fits the scale.
Transpose0
Press a chord to hear it.
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In G minor: · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · ·
A6 barsin G minor
B72 barsin G minor
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- Performed key
- G minor
- Concert key
- G minor
- Version
- Studio
Key conflictingBPM cross-validatedMeter single-sourceChords single-source
- Sources
- spotify · musicbrainz · acousticbrainz · getsongbpm
- Method
- Metadata · Audio analysis · Transcription
- ISRC
- USKRS0326904
- MusicBrainz
- 19e5d62d-f67b-4c21-84f5-1fc4d2350836